“ Her art is unique, and as apparently bizarre as the contents of her fridge. Once you discover the impetus behind Nathalie Abbing’s work, you realise it is a lot more than a gilded collection of animal bones. It is about second chances; creating beauty from tragedy. Ultimately, it is about accepting what many people are conditioned to reject.”
“ Her art is unique, and as apparently bizarre as the contents of her fridge. Once you discover the impetus behind Nathalie Abbing’s work, you realise it is a lot more than a gilded collection of animal bones. It is about second chances; creating beauty from tragedy. Ultimately, it is about accepting what many people are conditioned to reject.”
Thank you for visiting the website. It is the mission of Nathalie Abbing to instil a deep respect and knowledge of the craft of art in its many forms. Please take a look to see what she is all about! If you have any questions about her work, please get in touch.
Thank you for visiting the website. It is the mission of Nathalie Abbing to instil a deep respect and knowledge of the craft of art in its many forms. Please take a look to see what she is all about! If you have any questions about her work, please get in touch.
MONSIGNEUR ALPHONSE
Animal bones, 24 carat gold leaf
PAS DE DEUX
Celluloid photo on light box
BROKEN
Modified damaged shell with grey sparkle on necklace
MAN FACE
Acrylic paint on board
MONSIGNEUR ALPHONSE
Animal bones, 24 carat gold leaf
PAS DE DEUX
Celluloid photo on light box
BROKEN
Modified damaged shell with grey sparkle on necklace
MAN FACE
Acrylic paint on board
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This website gives an overall view of the broad oeuvre of Nathalie Abbing. The Creature d’ Or sculptures are considered to be her most significant pieces. As diverse as Nathalie is as a person, she can’t and won’t stick to just one line of work. She’s greedy in discovering the many paths within fine art. Photographs, paintings, installations, jewellery, poems, stories and handycraft. All very different but still they all have Nathalie’s distinct signature. Perhaps they are necessary for Nathalie in the process of creating the golden sculptures.
